We normally take it for granted that other people will live on after we ourselves have died. Even if we do not believe in a personal afterlife in which we survive our own deaths, we assume that there will be a "collective afterlife" in which humanity survives long after we are gone. Samuel Scheffler maintains that this assumption plays a surprising - indeed astonishing - role i...(展开全部)

Despite increasingly nuanced understandings of the neurobiology of addiction and a greater appreciation of the social and economic conditions that allow drug dependency to persist, there remain many unknowns regarding the individual experience of substance abuse and its treatment. In recent years, novel pharmaceutical therapies have given rise to both new hopes for recovery and...(展开全部)

In Feeling Media Miryam Sas explores the potentialities and limitations of media theory and media art in Japan. Opening media studies and affect theory up to a deeper engagement with works and theorists outside Euro-America, Sas offers a framework of analysis she calls the affective scale—the space where artists and theorists work between the level of the individual and larger ...(展开全部)

In Feeling Media Miryam Sas explores the potentialities and limitations of media theory and media art in Japan. Opening media studies and affect theory up to a deeper engagement with works and theorists outside Euro-America, Sas offers a framework of analysis she calls the affective scale—the space where artists and theorists work between the level of the individual and larger ...(展开全部)

From 1987 to 1995, Bristol, England's Sarah Records was a modest underground success and, for the most part, a critical laughingstock in its native country-sneeringly dismissed as the sad, final repository for a fringe style of music (variously referred to as “indie-pop,” “C86,” “cutie” and “twee”) whose moment had passed. Yet now, more than 20 years after its founders symbolic...(展开全部)

Synopsis In a strangely heart-warming story, a duck strikes up an unlikely friendship with Death. “Who are you? Why are you creeping along behind me?” “Good. You’ve finally noticed me,” said Death. “I am Death.” Duck was scared stiff. You could hardly blame her for that. Death, Duck and the Tulip is the much anticipated translation of Wolf Erlbruch’s latest masterpiece. Death, ...(展开全部)

Synopsis In a strangely heart-warming story, a duck strikes up an unlikely friendship with Death. “Who are you? Why are you creeping along behind me?” “Good. You’ve finally noticed me,” said Death. “I am Death.” Duck was scared stiff. You could hardly blame her for that. Death, Duck and the Tulip is the much anticipated translation of Wolf Erlbruch’s latest masterpiece. Death, ...(展开全部)

共315話。 除了能够看到灵魂，别无是处的普通高中生——黑崎一护有一天邂逅了一名少女 ，接着人生就发生了很大的转变。 自称为死神的少女——朽木路奇亚，追着被称做虚的恶灵突然出现到了一护面前。由于一护的灵力 ... 一护是能看见灵魂，并与它沟通联系的怪人。当他得知「虚」只是普通人类邪恶的灵魂时，就面临了挣扎的局面。为了能拯救井上的哥哥 ，他该怎么办？难道说真的不能让他恢复成普通的灵魂了吗？